A staff-like object that is carved in three sections and stained. The top has a terminal boss and several parallel bands of carving below. The centre section starts with an anthropoid head facing to its left.
A small spirit board carved from either thick bark or from wood with some bark still on, leaving the upper surface rough and the underneath smooth. A stylized pattern forms a face at the top, surmounted by a headdress represented by bands of red-brown and white paint.
A wooden flute stopper carved as a standing figure surmounted by a giant bird, probably a hornbill. The bird appears to be perched on the man's shoulders, the beak seeming to extend into the crown of his head. Ties on the back of the bird may indicate feather or plant attachments
This hook is in the form of a standing female figure with hands (fingers delineated) on hips. Only the head and hook are carved decoratively. The head is an elongated diamond cut off at the base to form a square chin. It is decorated on the cheeks and hair with an incised chevron pattern.
This suspension hook has a Janus-headed top with facial features extended down to form two shanks that join at the hook. A face is carved at the centre of the hook at the front. The back of the hook is plain. There are traces of red-brown pigment.
Suspension hook with animal-like Janus heads making up the shank, surmounted by a main head with serrated edge, and a hole drilled at the top for hanging purposes. The eyes in the head are white annular shell inserts, while cowrie shells are used in the shank.
The main part of the hook depicts a standing female figure with her hands clasped over her lower abdomen. The head is large and mask-like, with a hooked nose, well delineated teeth and a tongue sticking out.
A bark painting with spindle shapes on a background of random chevron patterns in black, white, yellow and red paint. There are thin red borders top and bottom where split-dowel stretchers are tied with fibre.