This fragment of a Buddha figure is constructed from wood overlaid with gilding. This particular fragment shows a shoulder and arm, over which is draped a robe. The hand is missing and the fragment shows significant wear and damage.

This figure shows the left arm hanging down with the palm turned outwards and the right arm raised, with the palm in the same position. The figure displays long flowing robes and a hat or headdress feature in raised relief pattern.

This thin bronze circular disc shows seated in Buddha in the centre in raised relief, with two Kumano vases on each side. The figure is seated with the hands clasped in a praying gesture.

This large concave, curvature lotus petal is made from wood, covered in black lacquer and gold gilt. It shows a metal attachment at the end of the petal where it was attached to create the whole flower. There is significant chipping, and wear of the gilt, and some discolouration.

This small gilt bronze figure stands on a circular plinth. The right arm is raised, but the hand is missing due to damage, while the left hand hangs down by the side. The figure wears a skirt-type feature with no obvious attire on the upper torso.

This figure of a Buddha sits cross-legged with arms resting against the body and bent at the elbow, the right hand resting on top of the left. The figure wears a garment which covers the legs, defined by incised lines.

This small figure is cast in bronze and stands on a small circular plinth decorated with petal-like features. Simply attired, the figure appears dressed in long, wide trousers. The right arm is raised vertically in the air, and the left arm hanging straight down.

This small figure stands on a square wooden base with a stela-shaped wooden backdrop, showing white pigment. The figure has long flowing robes, with large sleeves and carving illustrating the folds in the fabric. The sleeves cover the hands which are clasped at chest height.

This bronze figure stands on an abstract shaped ‘rock’ formation and wears flowing robes showing multiple folds in the fabric. The right hand holds the robes and the left hand is outstretched with the open palm facing upwards.