Carved stone figure of Buddha, seated in posture with his right hand held in his left. Seated within an enclosure or shrine. He wears long, flowing robes and his face bears a serene expression.

The base of this anthropomorphic axe is raised in the centre and curves inwards at the sides, resulting in a tapering, slightly turned up point to the left and right (interpreted as legs). The top of the axe is an arch and this is the point at which the metal is thickest.

The base of the harpoon head is cylindrical, while the top half tapers into a flatter, sharp edged point. The point itself is rounded and ridges run up the centre of the blade at the front and rear.

This female figurine is characterised by stylised arms, ending in points at the elbow, a large, protruding bottom, headdress and decoration with small, scored discs of clay. Lines define the waist, legs and pubic area (the feet are missing) while discs denote the breasts.

This figure, like no. 408, has short pointed arms, large hips and bottom and is similarly decorated. The material is a lighter, orange terracotta however, and it has suffered more damage. The feet, head and tip of the figure's right arm are missing.

The Jain sits in the lotus position, hands folded with palms facing upwards. He has wide shoulders over which his hair falls in two braids and he wears a collar around his neck.

The Buddha sits in the lotus position, his right foot over his left. His right hand rests on his knee, fingers pointing down and palm open. In his left hand he holds the hem of his robe, which is v-necked and gathered around his arms and knees. He wears a band around his neck.

This figure of Maitreya is elegantly slender and his facial features are finely carved. He stands with his left foot slightly before the right, with his right palm open to display the mark of the discus - a circle crossed with a horizontal line.

This figure is delicately modelled and finely detailed. It stands on an upturned lotus flower in the centre of a rectangular base. Towards the rear of the base are two prongs of approximately 40mm which point upwards from the side edges.

This complex image consists of a plinth on which a collection of figures stand before a decorated, arched frame. The plinth is heavy in relation to the slight figures, and is damaged in the centre, where there is a hole approximately 20mm/30mm.